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Ladder Frame Scaffolding Manufacturing - H Frames - Wellmade China
#youtube#ladder frame#ladder frame scaffolding#h frame scaffolding#h frame#h frames#ladder frames#scaffolding frames#frame scaffolding#scaffold frame#construction scaffolding#building scaffolding#facade scaffolding#masonry scaffodling#mason scaffolding#masonry frame#mason frame
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man anytime i see people complaining about AAA games and how games suck and are not creatively interesting i just get so depressed. come on. just play indie games. play webfishing play lethal company play ultrakill play i am your beast play slay the princess play a little to the left play unpacking play firewatch. fucking play placid plastic duck simulator, a game where you sit and watch plastic ducks spawn in a pool and name them and literally do nothing else. do it.
#shoutout to the person who quote tweeted it and said#'this is like listening to drake and then saying music sucks'#i'm a little tipsy and i got mad at a tweet and wanted to yap about games that i love. anyways#but i swear so many 'gamers' out there don't even seem to enjoy games#if your only frame of reference on video games is call of duty and overwatch PLEASE I BEG YOU PLAY AN INDIE GAME#PLAY SOMETHING BY STRANGE SCAFFOLD THE DIRECTOR IS LIKE THE COOLEST AND NICEST GUY EVER#PLAY SOMETHING BY NEW BLOOD THEY HAVE SOME OF THE BEST INDIE HORROR GAMES OUT THERE#liza post#i'm so glad i decided to study games though. real talk. ive met so many cool people and made so much awesome stuff#and got to study so much awesome stuff
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:O HOW DO YOU MAKE YOUR MASKS they're so cool!!!!! I wanna make one!!
They're papier mâchĂŠ! Most of them are made with pulped newspaper, though my most recent one is just plain ol' newspaper strips. I layer the paper over a clay sculpt â I've been using plasticine for my latest bases.

#(with the exception of the big bulky pumpkin which was made with a more typical cardboard frame)#(a perk of using paper mache pulp is that you can actually tear out the cardboard scaffolding once it's dry and it'll still hold its shape!#asks#not art#augh. this reminded me that I said I would make a tutorial way back#your honor i plead Everything Happens So Much
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question for artists and animatic makers: is there any program that allows you to add the music first without it developing a serious lag between the audio and visual? that is free, ideally?
#would appreciate any help with this#I just want to doodle a few quick frames so I have a scaffold and I donât lose the idea đ#storyrambles#animatic
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*taps prev tags*

honestly my advice for people questioning if they're aro is kind of the same as my advice for people questioning if they're trans which is do less worrying about whether or not you inherently fall into this arbitrary category and do more considering what you want in and from your life. like ultimately deconstructing societal ideals of what relationships (or gender) should be like and figuring out what you want them to look like in your life is what matters and whether or not you experience romantic attraction is kind of immaterial
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Scaffolding in Bangalore
Scaffolding in Bangalore is widely used in construction for building repairs, renovations, and new structures. The city's booming real estate sector drives demand for high-quality scaffolding, including metal and modular options. Reliable scaffolding ensures worker safety, structural stability, and project efficiency, adhering to strict safety standards and evolving industry requirements.for more details visit here:https://jkscaffolding.com/index.php
#centering materials rentals in bangalore#scaffolding in bangalore#centering sheet manufacturers in bangalore#adjustable spans manufacturers in bangalore#h frame scaffolding manufacturers in bangalore
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Made from high-quality steel, it is easy to assemble, stable, and durable.
Visit today - https://sparxwizzengineering.com/scaffolding-and-screw-jack/
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https://sumssolution.com/h-frame-scaffolding-in-mumbai-rent-or-buy-today/
H-frame scaffolding is a construction support system. It provides a stable platform for workers to perform tasks at elevated heights. It is usually made up of two parallel vertical frames that are connected by horizontal braces that look like an âHâ shape. This system is used for plastering interior walls and facades. Other applications are shipbuilding and repair, insulation, façade cladding, and painting.
The H-frame scaffolding ladder is comfortable and durable. It mostly used robust materials such as steel and aluminum for the frame. This provides high strength and durability. Hence, making H-frame scaffolding in Mumbai, a commonly used scaffolding system in construction projects across the city. For those seeking flexibility, H-frame scaffolding on rent near me is also readily available. It is an ideal solution for both temporary and large-scale painting.
H-frame scaffolding is used for a variety of constructions, including in apartment and tall buildings, commercial and retail complexes, underground stations and on subways, facilities that produce energy, medical institutions, such as hospitals, bridge slabs and viaducts, projects involving hydroelectric plants, and within commercial structures.
Components of H-Frame Scaffolding
Typically, a H-frame scaffolding ladder is made up of the following components:
Vertical Frames (H-Frames): These are the main vertical components that create the âHâ shape. Theyâre the primary support for the scaffolding structure and usually come in different heights to aid different construction needs.
Cross Braces: These horizontal diagonal braces connect the vertical frames, which add stability and prevent swaying. Cross braces are integral for maintaining the structural integrity of the scaffolding.
Ledgers are the horizontal tubes that run parallel to the building face, connecting the H frames. They are vital to the overall stability of the structure and help the scaffold support planks or boards where workers stand.
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Heavy-Duty Frame Scaffolds from Scaffolds Supply: Strength Meets Versatility
Upgrade your worksite with the frame scaffolds from Scaffolds Supply. Crafted for strength and versatility, our scaffolds provide exceptional stability and safety for all construction tasks. Get the reliable support you need for your projects!
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Shoring Frame Scaffold Connectors - Wellmade China - Spigot Coupling wi...
#youtube#frame scaffolding#scaffolding frames#scaffold#construction scaffolding#wellmade scaffold#wellmade china#wellmade#frame coupling#scaffold conenctor#frame connector
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i will never forget the genre romance i read one time where the b-plot was investigating the logistics and ethics of land enclosure in regency england.
"Pride and Prejudice isn't a romance novel, it's satire! It's social commentary!" many romance novels are satirical and social commentary, that doesn't make them any less of a fucking romance novel
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#hire h frame in pune#hire scaffold in pune#rental scaffolding in pune#centering material on hiring in pune#scaffolding material on hire in pune#hire scaffold
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ADJOINING ROOMS âËęŠď˝Ą spencer reid x fem!BAU!reader

summary: you and reid are just colleagues. and hookup partners. and fake lovers for a case in a swingerâs club. but itâs fine. until it really, really isnât.
genre: smut, angst | w/c: 8.5k
tags/warnings: 18+ MDNI, situationship/fwb, coworkers to lovers, brief references to alcohol consumption, emotional avoidance/lack of communication, mentions of the swinger lifestyle (case related) (probably full of inaccuracies & stereotypes so apologies in advance for that lol), canon-typical case/violence, fingering, oral (f receiving), p in v, multiple orgasms + a lil overstimulation, soft dom!spencer if you squint, spencer calls reader good girl/baby/sweet girl, slight praise kink, aftercare, no use of y/n
a/n: never written a case-centric fic before (although idk if Iâd call this case-centric â more like case-adjacent) and zooo weee mama the hours upon hours I put into this đŽâđ¨ but Iâm very pleased with how it turned out, so I hope someone enjoys it as much as I enjoyed writing it! I know itâs long but fingers crossed itâs worth it. (p.s. fourth pic is not indicative of readerâs appearance!! it just had the right dress + vibes)
The roundtable room always feels colder than it should. Maybe itâs the fluorescent lights, or maybe itâs the weight of what gets said in here â every case, every file, every name. Sometimes you think the walls remember too much.
Hotch is talking. His voice cuts through the stillness in that crisp, efficient way it always does. Words like âvictimologyâ and âbehavioral escalationâ stack on top of each other, building the scaffolding of a case youâre supposed to be paying attention to. But your mind is already drifting â across the table, past the file folders and scattered pens, to where Spencer is sitting.
Heâs chewing the inside of his cheek again. Not nervous, exactly â more like restless. His gaze flickers from the files to the floor to the case board, anywhere but you. He hasnât looked at you once all morning.
You wonder if anyone else notices.
Last week, you kissed him. Again. Or rather, he kissed you.
It was late. You were both a little tipsy from post-case beers, tiptoeing down the hotel hallway like teenagers who missed curfew. Youâd said something about how quiet it was â how strange it felt after so much chaos that day. Heâd nodded. Then there was a long, loaded pause, and suddenly your back was against the wallpaper and his mouth was on yours, hot and searching and almost rough.
âWe shouldnât,â youâd whispered, even as your fingers curled into his shirt.
âI know,â heâd breathed back against your lips.
And still, neither of you stopped.
You think about that now â his hands framing your jaw, the way he touched you like heâd been dying to all day â and it makes your palms itch. You press your nails into your skin, leaving little crescent-shaped indents, and force your gaze back to the board.
On it: photos of the bodies of three women. All strangled. All posed ritualistically. All in their late twenties to mid-thirties, all married or in serious relationships. All affiliated with the swinger lifestyle in the greater Chicago area.
âPreliminary theory,â Hotch says, âis that the unsub attends these parties, separates the woman from her male partner, and kills her in private. Heâs not targeting them at random â heâs studying their interactions with their partners first. Police pulled together a sketch of the unsub from witnesses, but the locals havenât been able to identify him yet.â
Spencer finally speaks. âItâs possible heâs embedding himself in the community. Not just observing, but actively participating in swinging.â
You swallow hard. His voice sounds normal. Clinical. Almost bored. You wonder how he does that â compartmentalizes so easily when youâre in the room like nothing ever happened between you.
You, meanwhile, are still trying to forget the taste of his mouth.
âWheels up in an hour,â Hotch says, flipping the file closed. âWeâll get briefed by local PD and the Chicago field office when we land.â
He pauses and glances around the table.
âWeâre also going to need to send two of you in undercover at the next club night.â
As soon as he says it, you already know whatâs coming. Hotch focuses his eyes on you before he continues speaking.
âYouâve got the most experience working undercover,â he says. âAnd you fit the victimology. Reid, youâll go with her. You make a believable pairing.â
You feel it. Not just the sharp jolt in your own chest, but the way Spencer tenses. A small shift in posture, like someone bracing for impact. His eyes stay fixed on the table. You just nod.
âIf the unsub is targeting women in stable relationships,â Spencer begins, voice measured, âwe need to appear convincingly connected â not just physically, but emotionally. Studies show that up to 10âŻ% of American married couples have experimented with swinging, and many report that emotional intimacy drives their participation more than the physical variety. If heâs looking for that connection when seeking out victims, weâll need to sell both.â
You almost laugh. Not because itâs funny â but because this is how he protects himself. With facts. With rationality. Like if he says the right words in the right order, it wonât matter that your mouths have already memorized each other.
âExactly. And you two will blend in best with the age group at these clubs. Weâll do more prep on the plane,â Hotch says.
You nod. Spencer nods.
And then, finally, he looks at you.
Itâs barely for a second, but itâs long enough to see the thing heâs trying to hide:
Want. Fear. Something brittle and unspeakable pressed tight beneath his ribs.
You look away first. You have to.
â
The jet hums around you. Youâve always found something oddly comforting about the sound â the steady thrum of the engine, the muted clink of coffee mugs, the gentle rustle of case files and paper.
Spencer is sitting across from you, the way he always does on the jet. Close enough to keep an eye on you if he wants to, but far enough away for plausible deniability. Heâs got a file open in his lap, one leg crossed over the other, pen tapping absently at the margin. But he hasnât turned the page in eight minutes.
Youâre pretending to read, too. Words blur. You underline things at random just to look busy. The profile you and the team have already built is solid â mid- to late-thirties, white male, organized, narcissistic injury around female sexuality, history of escalating violence against women starting from a young age, currently or formerly involved in the swinger community himself.
But all you can think about is the fact that Spencer isn't looking at you again, and itâs starting to eat at you.
âGod,â Morgan mutters from behind you. âThis case is wild. Sex parties, swinging, murder.â
âPeople have all kinds of lifestyles,â JJ says, gentle and unbothered, flipping through photos. âThat doesnât make them deserving of this.â
âNot saying that,â Morgan replies. âJust⌠can you imagine Hotch at one of those clubs?â
A collective groan-laugh moves through the jet. Rossi makes a deadpan comment about leather harnesses. Even Hotch cracks a grin.
But Spencer doesnât. Heâs still staring at his file, unmoving, jaw tight.
The last time you were alone with him, he was on his knees.
You remember the way he looked up at you, hair falling into his eyes. His mouth was reverent. Careful. Like you were a puzzle he desperately needed to solve with his tongue.
âPlease,â youâd whispered. âDonât be so gentle.â
But he was. He always is. Even when heâs needy, even when youâre shaking â heâs still soft. Still murmuring little praises like, âYouâre doing so well for me,â and âGood girl.â
And when it was over, you got dressed, said a quiet goodnight, and tiptoed back down the hall to your room alone, same as you always did. Even after countless nights together, you never slept beside him. One of you always left. It was the one boundary you hadnât crossed. There was a seemingly impenetrable wall between the two of you, and you werenât even sure which one of you had built it. Maybe it was him, maybe it was you, or maybe it was a joint effort.
Back in the present, the jet hits a small patch of turbulence. You jolt, fingers tightening around your pen. Spencer looks up instinctively, and your eyes meet.
He blinks once, then looks back down.
You wonder if heâs thinking about the same things you are. If the silence between you is just his version of restraint, or if heâs decided itâs easier to forget.
âHereâs some background on the club,â Hotch says, sliding a printout across the table. âInvitation-only, but you two,â he nods at you and Spencer, âare already on the guest list.â
Spencer shifts slightly. âDid they send a floorplan?â
JJ passes him a sheet with the building layout. You watch the way his fingers curl around the edge of the paper.
You want to say something. You want to joke, to ease the tension, to break the silence before it breaks you. All you can manage is:
âSo. You ready to pretend to be my boyfriend, Reid?â
It comes out lighter than you feel.
Spencerâs mouth twitches. Not quite a smile, though.
âIâve pretended to be worse,â he says softly. And for a moment, it almost feels like the past six months didnât happen.
Then Rossi clears his throat, and Spencer looks away again.
You stare at the grain in the tabletop and trace it like a fault line, wondering how youâre supposed to fake wanting all of him when thatâs already too close to reality.
â
The hotel room youâve just checked into is a bit dated, with a king bed, fake art, heavy curtains, and neutral tones. Standard, by every definition of the word. But your eyes keep flicking to the left â where a second door sits flush with the wall you share with the adjacent room. It feels like the universe is laughing at you when you realize whoâs staying in the suite next door â Spencer, naturally. And maybe itâs not a big deal. Maybe two FBI agents sharing a door between rooms isnât a scandal. Maybe itâs even practical, since youâll be working so closely on this case.
Still.
It feels too absurdly romantic for a murder investigation. Like the setup to a bad workplace rom-com that ends in a wedding montage and a corny piano medley. The thought makes you snort. Youâve got a deadpan sense of humor, especially when youâre tired or scared or two seconds away from thinking about the taste of his mouth again.
You groan and drop your go-bag at the foot of the bed. Your boots are already off. Youâre about to get up and shower when you hear a rattle of movement on the other side of the wall.
Then: a knock.
Not at the main door, but the other one. The one thatâs supposed to stay shut.
Of course.
You pad over and unlatch it.
Spencerâs standing there in mismatched socks, tie loosened, hair slightly mussed like heâs been running his hands through it for the last twenty minutes.
âHey,â he says.
âHey.â
You both hover for a second. Thereâs something soft in his eyes â like guilt, or maybe just caution.
âI, uh, thought we should talk through tomorrow. Get our story straight before we go in.â
You arch a brow. âOur story?â
He swallows. âCover story. Our⌠relationship history. As a couple. So weâre believable.â
You blink. Then you laugh â short, surprised. âRight. Gotta make sure our fake relationship is fully fleshed out.â
His expression doesnât change, but you see the muscle in his jaw jump. Like heâs trying very hard not to say something heâll regret.
You step back. âCome on in, then. Letâs build a backstory.â
He enters cautiously, and the adjoining door swings closed behind him with a click.
Youâre the kind of person who flirts when youâre uncomfortable. Who masks tension with sarcasm. Who doesnât let people in until itâs already too late. And deep down, you hate that youâve been soft with him. Heâs seen the version of you who doesnât deflect â the quiet version. The real one. You spent years learning how not to feel things too deeply, but now one look from Spencer and itâs like a dam breaking.
âSo,â you say, cocking your head, âhow long have we been together?â
He glances up to the ceiling. âA year?â
âBold of you to assume Iâd put up with you that long.â
His mouth twitches. âSix months?â
âTry four and a half. Tops.â
âFine,â he murmurs. âFour and a half months.â
You bite your lip, a smirk teasing the corner. âAnd how did we meet? Office romance?â
He gives you a look of exasperation and says your name with a groan. Clearly, that hit a nerve.
You chuckle. âFine. Come up with something better.â
Thereâs a beat. Then: âYou spilled coffee on me in a bookstore. I insisted it was fine, you apologized profusely and offered to buy me a new shirt. Turned into a whole scene,â he decides.
You laugh. âThatâs ridiculous.â
âItâs believable.â
âBecause Iâm clumsy, or because youâre uptight?â
âBoth,â he says, almost smiling.
The air shifts.
There it is again â that familiar tilt of the atmosphere. The way everything around him bends just slightly, like gravity favors his orbit.
He crosses the room and perches on the edge of the desk chair, spinning it half toward you.
You watch him from the bed, legs folded underneath you, pretending this is the most intimate moment youâve ever shared. Which is, frankly, ridiculous. Youâve had your mouth on every inch of him. Heâs said things in your ear that still make your toes curl when you think about them late at night.
âTomorrow,â he says slowly, âweâll need to act familiar. Emotionally and⌠physically.â
You nod. âWeâre supposed to be in love, after all.â
That gets him. His eyes flick to yours, sharp and unreadable.
You tilt your head. âOr maybe just horny. Thatâs easier to fake, right?â
Silence.
Then, softly: âYouâre not helping.â
âNo,â you admit. âIâm not.â
Youâve always been like this â deflective to the point of recklessness when youâre backed into an emotional corner. Itâs easier to make a joke than to say what you really mean. Easier to prod him than to admit you want something to give.
Thereâs a beat of quiet. You shift, pulling the blanket up over your legs, suddenly chilly despite the warmth of the room. The joke has worn off.
He clears his throat. âI should go, let you get some sleep.â
You nod, even though you know youâll be restless for hours. The moment heâs gone, youâll feel his absence echo like ringing in your ears after a fire alarm.
He stands. You stand, too. You walk together to the adjoining door like a real couple might, and that alone feels like cruelty.
For a second, neither of you moves. Then, you speak, voice quieter than it had been a few moments ago:
âSpence?â
He stops, glances back. His nickname in your mouth always does that â stalls him mid-step, like heâs never truly ready for it.
âIf weâre going to be convincing,â you say, trying to sound casual, âyouâre gonna have to at least look at me tomorrow.â
His gaze drops to the floor before finally lifting and meeting yours again, albeit briefly. âIâll look at you,â he promises quietly, after a long beat.
And then heâs gone.
You lock the door, press your forehead to the wood frame, and exhale. You debate a shower again.
And thatâs when it hits you â the memory, sudden and sharp, sparking bright in your mind like a match catching:
Three months ago. It was late. Youâd just gotten back to the hotel one night in the middle of a case that left you feeling hollow, and youâd turned the shower on to heat up while you undid your ponytail with tired fingers.
The knock at your door came soft, almost guilty. You spotted Spencer through the peephole and let him in. You didnât need to ask why he was there â you could see it in the way his shoulders slumped from the weight he was carrying, in the way his hand kneaded at the tension in the back of his neck, in the way he looked at you with those honey brown eyes like you were the only thing in this universe that could make him feel human again.
His mouth crashed into yours before you could even register it. Urgent. Consuming. The kind of kiss that didnât care what came after, only what needed to happen right now.
You pulled him into the bathroom by his collar, lips parted and hungry. Clothes came off swiftly into a messy heap by the base of the sink. He lifted you into the shower then, water cascading around your tangled limbs, and braced you against the wall, tiles cool against your back.
You let him take everything he needed that night. Every thrust a release, every gasp a plea. He murmured little things against the warm skin of your neck â you donât remember what they were, but you do remember the sound of his voice: low and wrecked and achingly tender. You came with your head tipped back, body trembling under the hot spray, thighs tightening around his waist, and he came harder. Like he couldnât stop it â like your body had pulled it out of him, with a stifled groan and a shudder that rolled through his entire frame.
You stayed like that for a moment â both of you breathing hard, the sound of the water the only thing steady.
Eventually, your thighs loosened around him and he set you gently back down to the ground. You half-expected him to lean down and kiss you, to keep the moment going, but instead, he just studied your face and softly brushed your wet hair away from your cheek. Something quiet passed between you, fragile and echoing.
Then, without a word, he stepped out.
You watched through the fogged glass as he toweled off. Pulled his shirt back on over damp skin. Buttoned it unevenly, stepped into his slacks. His hands shook a little.
You were still standing under the water when he paused at the door.
âIâll see you in the morning,â he said, barely audible over the rush of the shower. You nodded in reply.
Just as quickly as heâd showed up, he was gone again.
You blink back into the present, your skin prickling with goosebumps.
You hate that your body remembers him like that. You hate even more that your heart does, too.
â
The club doesnât look like a potential murder spot.
It looks like money. Like velvet and champagne and curated decadence. Everything about it is just a little too sleek â brushed brass door handles, scented candles tucked into corners, red-tinted lights that paint everything in crimson and shadows.
Spencerâs arm is around your waist.
Itâs not the first time heâs touched you like this, but it is the first time heâs pretending you belong to him.
And youâre pretending not to like it.
âYouâre sure youâre okay in that?â he asks, voice low.
You glance down at the dress youâd picked out with Garciaâs help via video call â sleek, black, open back. It felt like a good idea when you tried it on at her suggestion â something sexy that would blend in with the rest of the clubâs clientele. But now, with Spencerâs hand resting on the exposed curve of your spine, you think Garcia mightâve known exactly what she was doing when she encouraged it.
âIâm fine,â you murmur. âYouâre the one who looks like heâs seen a ghost.â
He exhales through his nose. âI just⌠I canât help it. Itâs you. You lookââ
âSpence,â you interrupt gently. You mouth the words: âWeâre wired.â
The reminder shuts him up. Somewhere in an unmarked surveillance van, your colleagues are sipping stale coffee and listening to every breath you take. Every fake laugh. Every flirtation. Watching your every move via the security cameras Garcia hacked into.
You lean in close, brushing your lips just near the shell of his ear.
âSmile, sweetheart. Youâre in love, remember?â
He does smile then, a crooked thing, tight around the edges. His hand dips a little lower, warm against your exposed skin. You wonder if itâs for show or if itâs just for him.
In front of you, the club scene unfolds. Couples swirl around the open space like slow-moving constellations, orbiting each other in wine-dark booths and shadowed alcoves. The music is low enough to be sexy but loud enough to muffle secrets. Thereâs a large bar near the back, a velvet rope section with private rooms upstairs, and at least two couples openly making out on chaise lounges.
You pass a bowl of condoms by the entrance and stifle a snort.
You try not to think about how this place is meant to seduce. That itâs built for sex and permission and skin. And tonight, youâre supposed to be playing the part.
Spencerâs fingers brush your hip. You glance up at him, and he leans in like a man in love.
âBack wall,â he says softly. âLet me handle the couple, figure out if theyâve seen anything. You work the man in the charcoal jacket.â
You split apart in practiced sync. He heads to the couple and you drift left, letting your eyes catch on the man Spencer mentioned. Heâs older than you expected, but clean-shaven, wearing an expensive watch. His gaze skims over you, then lingers. You tilt your head, sip your drink.
He bites. Of course he does. Within minutes, heâs walking you to the bar for a refill.
You lean against the edge of the bar, feign laughter, touch his wrist when he says something passably clever.
Itâs an act. Youâve done this before. You know how to fake a smile like you mean it.
But you also know Spencer is watching.
You donât look for him, but you feel it. The way you always feel it â his attention, boring deep into your skin. You imagine his jaw twitching. His hand curling into a fist inside his pocket.
Heâs not an outwardly jealous person â not usually. But youâve learned that jealousy doesnât always wear teeth. Sometimes, it just lives quietly in the way someone stops breathing when they look at you.
You think back to the first time you saw that look after finishing up a case in Boston six months ago and letting a handsome stranger buy all of your drinks. Spencer had peeled you away from the man and the bar and back to the hotel under the guise of exhaustion and an early flight home, but youâd noticed the way heâd been discreetly watching you all night. So youâd kissed him in the hotel elevator â just to see how heâd react. Just to test how itâd feel. Heâd melted into you after a few moments of your lips against his, and all of the sudden, the rest of your world faded into nothing. He tasted like whiskey and peppermint and something warmer that made your entire body ache.
You didnât go your separate ways when the elevator dinged on your floor. And you didnât talk about it the next day. Or the time after that. Or the one after that.
Youâre still not talking about it now.
You shift your body, laughing at something the man says, and trail your fingers lightly up his forearm â flirtation, just enough to maintain your cover. Itâs nothing.
But the second you do it, Spencerâs voice crackles in your ear.
âYou there?â
You donât react. Just cross your legs slowly, let your gaze slide over the crowd like youâre looking for a third. The man youâve been flirting with is distracted by the bartender, ordering another round.
âMhmm,â you murmur.
Thereâs a pause. A rustle of breath. Then:
âEyes right. Column near the leather bench. White shirt, sleeves rolled. Thatâs gotta be him.â
You let your gaze drift lazily to the right, like youâre just admiring the architecture.
And then you spot the man Spencerâs referring to.
You catalog the similarities between this man and the police sketch hanging on the case board back at the precinct. His face is symmetrical, forgettable in a way that makes your skin crawl. Like someone whoâs practiced looking normal. His eyes skim the room like a hunter watching a watering hole. Heâs still â too still.
You can feel it, the same way Spencer can. Itâs more than a hunch or a guessâ itâs an instinct, a read, a real-time application of the profile living inside your brain. That man is the unsub.
âCopy,â you say lightly, but your smile is gone now.
You dip your head towards the man beside you, murmur something about needing a bathroom break, and move towards the back of the room. Once youâre out of view from the bar, you catch up with Spencer.
His fingers close over yours.
âEverything okay?â
âPeachy,â you lie.
But the word tastes like sand in your mouth. You can feel how close danger is.
Spencerâs hand releases yours and moves to rest firmly on the small of your back. His thumb rubs slow circles against your skin, barely there. It could be part of your cover, or it could be genuine affection. Regardless, itâs a silent message: Iâve got you.
Youâre standing near the fringe of the crowd now, a cluster of couples trading flirty glances and low-toned jokes about partner swapping. Someoneâs making conversation about a weekend retreat. A woman in a sequined dress laughs too loud. You nod along, sipping your drink, body tilting naturally toward Spencer.
And then he walks up â the unsub.
White shirt, sleeves rolled. Watchful but charming. Forgettable face, memorable eyes.
You feel the breath catch in Spencerâs chest beside you.
âEvening,â the man says easily. âYou new here?â
You smile like your skin isnât crawling, like you donât know heâs already killed at least three women with his bare hands and left their bodies displayed like offerings.
âWe are,â you say, glancing up at Spencer. âStill figuring out the vibe.â
The unsub chuckles. âWell, youâre blending in just fine.â
Heâs talking to you, but heâs looking at both of you, measuring. Itâs not interest â itâs a test. A subtle prod to see what kind of relationship you and Spencer have. To see how easy it might be to wedge his way in.
Spencer answers before you can. âWeâre curious,â he says. âJust observing for now.â
His voice is calm, but you feel the steel in it. His hand is still at your back. He pulls you in a little closer.
âNothing wrong with watching,â the unsub says, his mouth twitching. âSometimes thatâs the best part.â
He takes a slow sip of his drink, and his gaze settles fully on you.
You donât flinch.
âIâm Marcus,â he says. âYou two have names?â
You give a soft laugh and glance at Spencer. âWeâre trying to stay mysterious tonight.â
âSuit yourself.â Another sip. âJust thought Iâd say hello. Let you know there are a few playrooms open upstairs if youâre feeling adventurous.â
Playrooms. Right. Youâd seen them in the floorplan â semi-private spaces for couples or groups, monitored lightly by staff but otherwise left alone.
âThanks,â you say, casual, âweâll keep it in mind.â
âMaybe Iâll see you up there,â he says before walking away with a wink.
Your pulse spikes, and you try to suppress it. Try to breathe around it. Spencer shifts slightly, steps closer, like heâs reading your vitals through his fingertips.
âDid you see his hand?â he murmurs, only for you. âThere was blood under his nails.â
You nod once. âAnd a crescent-shaped scratch on his hand.â
âHeâs escalating. He wants to be noticed.â
You donât say it, but you both know what that means:
The unsub is spiraling. Heâs deviating from his own profile. Heâs been organized and methodical this whole time, but now, he hasnât even washed days-old evidence off his hands. Heâs losing control. And that makes him even more dangerous.
âHotch, did you catch that?â you murmur under your breath.
âAffirmative,â comes the reply in your ear. âGarcia picked him up with facial recognition. Nameâs Marcus Blackwood. His wife left him and moved in with another man three months ago. Surveillance confirms he was at the same clubs as all three victims. Do not engage until backup is in place â weâre on the way. Just keep an eye on him if you can.â
âCopy,â you and Spencer say together.
You glance toward the far end of the club and realize Blackwood is heading up the stairs that lead up to the playrooms.
âShit,â Spencer mutters.
Blackwood is baiting you.
He wants you to follow him.
You scan the crowd â an endless pool of potential victims. The rest of the team is en route. Five minutes, tops. But thatâs too long.
âHotch said we should keep an eye on him. I can stall,â you say softly.
Spencer looks at you, and for a split second, his composure falters. Itâs not fear for himself. Itâs fear for you.
You touch his hand.
âIâll be fine.â
You step away before he can stop you and move toward the stairs slowly, wine glass still in hand. You feel the heat of Spencerâs gaze the whole time.
You donât look back.
Blackwood greets you at the top of the stairs with that same bland smile. The hallway beyond is dim, quiet, lined with half-cracked doors. You glance at one and see the vague blur of movement â flashes of skin, moans, laughter.
âI figured you might be curious,â he says.
You plaster on a sultry smile. âCurious is one way to put it.â
He leans casually against a doorframe.
âYou strike me as someone who likes attention,â he says. âLike you enjoy being wanted by people who donât belong to you.â
You tilt your head. âWhat makes you say that?â
His eyes flick over your body. âJust a hunch. And you dress like it.â
You laugh.
He doesnât laugh back.
Instead, he steps in.
You step back. He steps forward. The wall is against your spine now.
âYou know what I hate?â he says, voice tightening. âWhen women pretend itâs all for fun. Like none of this means anything. Like theyâre not breaking something sacred.â
There it is: the projection. The motive. The pathology.
You keep your voice even, your smile fixed. âOr maybe they just donât owe you anything,â you say, hand drifting toward the distress button hidden in your bracelet. Click.
And then he grabs you.
Itâs fast. One hand to your throat â not squeezing, just holding, controlling. His other hand catches your wrist, hard. Pain blooms instantly. You gasp, squirmâ
And thatâs when the hallway explodes.
âMarcus Blackwood, FBI!â Hotchâs voice, sharp and authoritative, cuts through the air.
Blackwood spins toward the sound just as Morgan slams into him like a freight train, pinning him to the ground. You hear the clatter of handcuffs and Emilyâs voice confirming: âUnsub is secured.â
Itâs over.
But youâre still frozen.
You hadnât realized how fast your heart was pounding, or that Spencer had run in and pulled you to safety before Morgan could even reach the unsub. He doesnât ask permission â just gathers you into him.
His arms are tight, all instinct and adrenaline. You let your forehead press to his shoulder. Let yourself breathe.
âYou okay?â he asks, voice wrecked.
You nod against him, but you canât hide the fact youâre shaking.
âYou came,â you whisper. âYou got here.â
He pulls back just enough to look at you.
âI always will.â
You donât let go.
â
The hotel lobby is too bright.
Artificial light washes over upholstered chairs and glass-topped tables, and the scent of something overly citrusy hangs in the air. You hate it. You hate how it feels to sit still after something like that. You hate how normal it all looks.
The team has regrouped, huddled around a seating area tucked away from the elevators. Garcia is patched in through a tablet set up on the table, video call flickering just slightly.
âDNA under Blackwoodâs nails matches the last victim,â she confirms. âAnd thereâs timestamped security footage of him leaving the same club as the second victim the night of her murder. Weâre solid.â
Everyone exhales. JJ leans back against the sofa. Emilyâs got a paper cup of coffee sheâs holding like it might anchor her to the planet. Derekâs pacing. Rossiâs talking softly to Hotch a few feet away.
Youâre curled in an armchair, wearing an FBI windbreaker jacket over your slinky dress, legs tucked under you, fingers still brushing where he grabbed your wrist. The pressureâs gone, but the shape of it lingers.
Spencerâs across from you. Elbows on his knees, hands folded together. He hasnât looked at you once since you separated from him to give your statement back at the scene.
Youâre not surprised.
Thatâs always the case with him: once safe, he pulls away. Retreats into himself, into the comfort of something he can control. Youâve seen him do it before, but tonight it feels personal. Tonight, youâre mad about it.
âThanks for the assist in there,â you say softly, desperate to pull him back to you.
He nods, still not meeting your eyes. âOf course.â
You fold your arms across your chest and pretend you donât feel cold blooming again behind your ribs.
You donât expect a grand gesture. Youâre not someone who needs to be rescued. But you wish â god, you wish â that heâd stop trying to shrink the thing between you into something that doesnât matter.
Because it does matter. You know that now. He looked at you in that club like it does. He held you like it does. And it sure as hell feels like it does, especially now.
No one else notices the tension between you. Theyâre all distracted, all coming down off the adrenaline high in their own ways. You wish you had something to do with your hands.
âAlright,â Hotch says, checking his watch. âEveryone get some rest. Weâll regroup in the morning before we fly home.â
The team heads to the elevators in quiet pairs, and you hang back a moment so you can ride up alone.
Youâre barely through the door to your room when thereâs a knock at the adjoining one. You unlock it before your brain can convince you otherwise, and once youâve got it open, Spencerâs standing there with one hand raised like he was about to knock again. You donât let him speak.
âYou here to debrief, or to ignore me some more?â
He freezes.
âBecause if itâs the first,â you continue, âwe already did that in the lobby. If itâs the second, Iâve had enough of that for one night.â
His hand drops.
âIâm not here to debrief. Or to ignore you.â
Thereâs a beat of silence, then he steps into your room like it hurts to cross the threshold.
âI just wanted to talk,â he says. âTo explain why I got weird afterââ
âYou donât need to explain anything.â
You say it too fast. Too sharp. And you know he hears the lie in it.
Spencer closes the door behind him gently. Then he turns.
âI hated it,â he says quietly.
You blink. âWhat?â
âI hated watching you flirt with those men tonight.â
You stare at him for a long beat. Something inside you twists.
âYou were fifteen feet away, Spencer.â
âI know.â
âI was undercover.â
âI know.â
âThe unsub didnât touch me until the very end, and even thenââ
âI know,â he says again. âBut I still hated it.â
You fold your arms across your chest, like that will keep everything caged inside. âWhy?â
He looks at you like he canât even believe youâre asking.
You press him anyway. âWhy did you hate it, Spencer?â
His brow furrows. âBecause you were in danger.â
âNo,â you say, shaking your head. âThatâs not it.â
âYes, it is.â
âNo,â you repeat. âThatâs why you were afraid. Iâm asking why you hated it. Iâm asking about jealousy. Iâm asking about the part where you couldnât even look at me.â
His mouth opens, then closes.
You cross the room and stop in front of him, close enough to see the flicker in his eyes. âDo you have any idea how hard that was for me? Being there, with you? Pretending? Letting you touch me like any of this means something? And then you just⌠abandoned me after it was over and avoided making eye contact as if Iâm fucking Medusa or something.â
âI didnât know how to act,â he admits. âOr what to say.â
âIâm not asking for poetry,â you say, exasperated. âIâm asking for something. Anything. Because I felt like I was going to die in that club, but the worst part wasnât even his hand on my throat. It was wondering if youâd still pretend none of this matters.â
The words hit. Spencer flinches like youâve slapped him.
âIâm not pretending,â he says, voice hoarse. âI was scared. Iâve been scared for months.â
âOf what?â Your voice rises. âOf me?â
âNo,â he says. âOf losing you.â
You laugh once, short and sharp. âYouâve never had me.â
He steps back like the words burned him. âDonât say that.â
âWhy not? Itâs true.â
âItâs not.â
You stare at him. Your heart is racing. Youâre exhausted. You can still feel the pressure of the unsubâs hands on your skin, and Spencerâs arms around you, and the fact that neither of you seem capable of telling the truth until itâs too late.
âIâm not some fantasy, Spencer,â you say, quieter now. âIâm not just always going to be here when you want attention or sex or someone to lean on after a bad case. And I canât keep being whatever you need if youâre going to keep pretending weâre just⌠coworkers who fuck sometimes.â
âI donât think that,â he says, stepping closer. âYou know I donât.â
âDo I?â you whisper.
He looks at you - really looks, and takes another step to close the distance.
âI donât want to keep acting like this is meaningless,â he finally says. âOr like I donât think about you constantly when youâre not around.â
He pauses, gulps, steadies himself before he adds:
âOr like I havenât been falling in love with you since you kissed me in that elevator in Boston.â
That knocks the wind out of you.
You say nothing. You canât. Youâre too busy holding your breath like if you let it out, your heart will tumble out with it. He looks so sincere, so raw, so threadbare.
âI donât want temporary. Not with you. With you, I want everything,â he says softly.
And thatâs when you fall into him.
Itâs not graceful. Itâs not soft. Itâs a collision of everything youâve both been holding back â anger and relief and love and ache, all packed into the same breath, into the greediness of your lips against his.
His hands find your waist like theyâre finally accepting itâs where they belong. Yours curl into the fabric of his shirt and tug.
You move together without thinking, stumbling toward the bed.
âYou shouldâve said something sooner,â you murmur between kisses.
âI didnât know how.â
You push him back onto the mattress and crawl over him, breath heaving. âYou do now.â
And then your mouth is on his again.
Itâs messy. Not rushed, but a little frantic â like the both of you are trying to find your way back to something you never really had to begin with.
His hands are on your hips, then your ass, pulling you down against him as your thighs straddle his waist. Your dress comes off. His belt is unbuckled. Everything about the moment feels slightly unmade yet still overwhelmingly perfect.
âIâve thought about you every night since Boston,â he murmurs against your throat. âEvery single time Iâm around you, itâs all I can think about. Even when Iâm not around you, youâre all I think about.â
You grind down against the shape of him through his pants and he groans, hips flexing. His mouth grazes your collarbone, then your shoulder, as if heâs tracing the map of you in reverse â starting from memory, finishing with fact.
And then â he looks at you. Really looks.
It doesnât happen often. But when it does, itâs always like this:
Like heâs watching a sunrise unfurl from the inside. Like itâs almost too much for him to bear.
âI love the way you look at me,â you whisper.
âIâve never looked at anyone else like this,â he replies. His voice is low, and it makes your knees go weak.
You reach for the button on his pants and he stills you with a hand on your wrist.
âNot yet,â he murmurs.
He shifts the weight, flipping the two of you and guiding you gently to lie back against the pillows. His hands trail over your chest, your stomach, your hipbones â not teasing, but anchoring. He tugs at the waistband of your lacy black underwear, and you lift your hips to aid him in taking them off.
When his mouth dips between your thighs, you nearly sob.
Because itâs not just about getting you off â not right away. Itâs about presence. About reverence. He kisses the inside of your knee. Your inner thigh. Trails his nose up the side of your leg like heâs cataloging your scent. When his tongue finally makes contact with your center, itâs slow. Devout, almost. Like your entire existence is something holy heâs come to worship.
You bury your hands in his hair and exhale something like a prayer.
His tongue flicks. Sucks. Circles. Presses flat. You moan his name, and his groan vibrates through you.
Then, two fingers, slow and certain, slide in deep.
You gasp. Arch. He murmurs something soft against your thigh, but you barely catch it over the sound of your own breathing.
âThatâs it,â he says, lifting his head just enough to look at you. His voice is low, frayed. âYouâre so beautiful like this. All open and needy for me.â
You whimper. âSpenceâfuckââ
His jaw clenches. You can almost see it before you hear him say it:
âGood girl.â
God, how those words ruin you.
Your whole body pulses.
Your orgasm hits low and hot â a deep, dragging pull in your gut that spreads outward in waves. Your thighs clamp around his shoulders. Your head tips back. You make a sound you didnât know you were capable of â something between a sob and a moan â as it crests and crests and crests again.
But he doesnât stop.
You whine. âSpencer. Too muchââ
âI know baby,â he murmurs, voice molten. âBut you can give me one more. Just one more for me. Please?â
How could you ever deny him?
Your body bows without permission â back arching, thighs twitching, another cry tearing from your throat. It rolls through you like heat lightning, wild and blinding, buzzing like static electricity.
By the time he finally pulls back, youâre gasping, wrecked, flushed all over.
He presses a kiss to the inside of your thigh. Then another. Then your hipbone, your stomach, your breasts, your sternum.
You pull him up into a slow, grateful kiss and roll him beneath you, fingers curling around the buttons of his shirt.
âOff,â you murmur.
He lets you undress him, never breaking eye contact. When heâs bare under you, you settle against him, chest to chest.
You reach down and stroke him slowly, watching the way his lips part and his brows knit together.
He catches your wrist before you can do more.
âIâm gonna lose it if you keep that up.â
You smile and shift against him, lining up your hips.
âMaybe I want you to lose it a little.â
But he doesnât. Not yet.
He flips you gently onto your back again and slides between your thighs, one hand cradling the back of your head, the other guiding himself into you.
The stretch makes you gasp, but the moment is slow. Steady.
He sinks in deep â inch by inch, until youâre full, until your nails are digging into his shoulders.
âJesus,â he mutters. âYou feelâŚâ
âLike youâve been falling in love with me since Boston?â you whisper, almost teasingly.
His eyes flick to yours, dark and unguarded.
âSomething like that,â he murmurs with a soft smile.
He pulls out almost all the way, then thrusts back in, long and slow. You hook your thigh around his waist, giving him deeper access to every part of you. The rhythm builds â deliberate, relentless â hips grinding just right, his forehead dropping to yours.
âOpen your eyes, baby.â
You do, just barely.
âLook at me.â
You do, and he holds your gaze like itâs the only thing anchoring him to the earth.
âYouâre mine,â he says roughly. âSay it.â
You breathe out the words, partially for the sake of obedience but mostly because you mean them wholeheartedly. âIâm yours.â
Something cracks behind his eyes. âThatâs right. Thatâs right, sweet girl. Youâre mine.â
The praise and possessiveness tear through you. You clench around him and he stutters, breath breaking.
Your body starts to spiral again, tension building almost too fast. âI canâtâSpence, Iâm gonnaâitâs so much, Iââ
His hand cups your jaw, grounding you.
âYes, you can,â he says, tone dripping in sweetness. âYou can. Let go. I want to feel all of it.â
He slips a hand between you and presses soft circles where youâre already pulsing. The overload is immediate â your back arches, your legs lock around his waist, and you sob his name as you fall apart for the third time, body shaking, salty tears leaking from the corners of your eyes. Spencer kisses them away, one by one.
When you finally come back to yourself, heâs still moving. Faster now, messier. His rhythm stutters as your body clenches around him, drawing him in deeper.
He curses into your neck, his voice low and a little helpless.
You press your lips to his ear. âDonât stop, Spence. Need you to come for me.â
The tension in him coils tighter, his thrusts shallower now, more erratic, like heâs negotiating with his own body for just a few more seconds. You watch it happen â his mouth parting, lashes fluttering, that soft gasp he always makes right beforeâ
His hips stutter. He drives in deep, one final time.
And then he shatters.
He comes hard, gasping your name into the side of your neck, arms trembling as he tries not to collapse. You hold him to you, breath shaking as you feel the aftershocks ripple through him.
Itâs not clean or composed. Itâs full-body and bone-deep, the kind of release that empties something unnamed. His whole weight sinks into you, like his body finally gave up pretending it could survive without yours.
Neither of you say anything at first. Itâs all just shared breath and the heat of skin on skin, a heart beating against your ribs that might be his or yours â at this point, youâre no longer able to tell the difference.
Eventually, he shifts, just barely, enough to press a kiss to your collarbone.
You turn your head and kiss his temple, fingers in his hair.
His voice is soft when it comes:
âIâm yours, you know.â
And thatâs the moment it hits you â quiet and certain. Like your body already knew, and your mind is finally catching up:
You love him. Of course you love him. Youâve been falling for him since Boston, just like heâs been falling for you.
You close your eyes and smile into his skin. âI know,â you murmur back. âAnd I was always yours.â
â
You donât know how long you lay like that â tangled together, skin damp, hearts still syncing. The room is dark, save for the thin bar of light spilling in under the hotel curtains. The bedsheets are bunched around your thighs. One of his hands is resting on your hip, the other curled into your hair like he never plans to let go.
You stroke his back slowly, the way youâve always wanted to â not as a way to coax or distract or ground him, but simply because you can.
âAre you okay?â he asks softly.
You nod against his shoulder. âYeah. Are you?â
He huffs a breath â not quite a laugh. âGetting there.â
After a few more moments of comfortable silence, you speak again:
âStay.â
He lifts his head, eyes glassy and soft.
âYou sure?â
You nod again, slower this time. âI want you to.â
Thereâs a long pause, but then he kisses you â not rushed like before, not like something heâs afraid of losing. Just a kiss, plain and true.
He shifts off you carefully, murmuring a soft âhang on,â and grabs a tissue from the nightstand to clean you up. Itâs quiet, almost instinctive. He doesnât make a show of it â just does it gently, like itâs wired into him to want to take care of you like this.
Then he reaches down and pulls the comforter over your bodies, nudging you to lie on your side so he can curl himself around you. His chest to your back, one arm snug around your waist. You settle against him like you were designed for it â and maybe you really were.
After a while, you feel him press his lips to your shoulder.
âI wasnât going to leave anyways,â he whispers.
â
You wake to the sound of a watch alarm beeping on the side table. For a second, you forget where you are.
Then you feel it â the warmth pressed along your back, the steady rise and fall of Spencerâs chest against you. His arm still draped around your waist. Sleepy kisses at the top of your spine, like heâs been waiting for you to stir.
âMorning,â Spencer mumbles against your skin.
You smile without opening your eyes. âHi,â you whisper. He kisses your neck again, and you giggle. âIs this the part where you tell me it was all just a heat-of-the-moment thing and go back to calling me âagentâ?â
He huffs a sleepy laugh and tightens his grip. âNot unless you want me to.â
You wait a beat. Let the silence stretch.
âI donât want you to,â you finally murmur.
His voice softens. âYeah?â
âYeah.â
He presses another kiss to your back, and you feel him smile into it.
â
The flight back to Quantico appears normal from the outside, but inside, youâre buzzing.
Morgan is asleep with his arms crossed. Emily has her headphones in. JJ is half-reading, half-daydreaming. Rossi and Hotch are reviewing something on a tablet in the back.
No one notices the way Spencer chooses the seat next to you instead of across. Or how his knee keeps brushing yours â casual, insistent, like an inside joke only the two of you are in on.
Your phone buzzes in your lap and you glance down, already smiling.
Spencerâs phone is in his hand and heâs looking at you, cheeks pink.
Spencer Reid: Would you maybe want to come over tonight after we land, if youâre not too tired?
You bite your lip and smile as you type back.
You: You asking me out, Dr. Reid?
Thereâs a pause. Then:
Spencer Reid: Iâm asking you in, actually.
But next time Iâll take you out. Promise.
You glance sideways at him, trying not to grin too hard. Heâs wearing that smile you love â the boyish, slightly shy one he only ever breaks out when heâs attempting to play it cool. You give him a wink and a nod in lieu of a written response, and his smile grows.
Itâs in that moment â in the glow of his grin and the comfort of his knee pressed softly against yours â when you realize that maybe there was never a wall between the two of you at all.
Just a door, waiting for one of you to knock and leave it open.
á°.á
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party chat #56: nanba's transformation
(transcript both in alt text and below)
[image description: five-page comic of a "party chat" conversation from yakuza 7.
beneath the scaffolding of a construction site, nanba holds a bottle of tea and asks "hey, you think i've changed at all since we met?"
the rest of the party, standing or crouching on the side of the path, turn to look at him.
"hm? have you?" ichiban tilts his head, hand on chin, and lets saeko pick from his chip bag. "i dunno, lemme think..."
adachi leaps to his feet, splashing his can of beer and surprising saeko. "got it!"
adachi snaps his fingers with a triumphant smile. "you changed how you part your hair!"
"huh?" nanba reaches toward the back of his own head. "nope, it's still the same..." adachi sheds a single tear.
hand raised high, saeko announces "right! your prescription changed!" ichiban taps a canned coffee on his palm in an "i get it!" motion. "what, are you trying to be funny now!? and that's wrong, too!" nanba retorts.
"okay!" han looks serious. "you changed the frames on your glasses!"
"you started wearing contacts instead of glasses!" zhao finger-guns with a grin.
"will you quit it with the glasses thing!?" nanba snaps at an unfazed, juicebox-sipping han. "and does it look like i'm wearing contacts!?" he gestures at himself. zhao smugly bites an onigiri, still squatting on the ground.
adachi frowns around a pocky. "huh? then what's changed?"
"never mind... sheesh." nanba turns his back on the group.
a view of the vending machine and soccer field across the way. "i just thought maybe i'd grown a bit cheerier since i met you guys."
"that's all." nanba doesn't see the party staring in shocked silence.
saeko, han, and zhao exchange fond looks.
nanba chugs his tea as ichiban approaches.
ichiban bumps his drink hand against nanba's.
"well, we already knew that, man." ichiban grins so wide his eyes shut.
"yeah, you smile a lot more than you did before, nan-chan." saeko concurs, offering him her chip bag.
nanba looks up, eyes wide. "ichiban... you guys..."
a hand lands on nanba's shoulder.
arm slung over his friend's back, ichiban cheerfully assures "and i noticed that you got some new lenses on your glasses, too." nanba's face falls.
the party loses it. saeko collapses on adachi, both doubled over in laughter, zhao cackles as his glasses fall off, and han clutches his head in despair.
"i didn't change anything about my glasses!" nanba roars. on the ground, a plastic bag of leftover snacks reads "#56 nanba's transformation".
end image description]
#yu nanba#yakuza#yakuza 7#comic#fanart#i adore the conversations in this game and really wanted to draw this in a âniceâ style#but everything was simply not occurring for over month so. rough layer as lineart đđ#thinking about how i wished you could bring all your friends with you in kiwamitwo#then lo and behold........... ichiban never goes anywhere without his buddies and he buys them burgers and almond jelly#and pasta stick bar snacks and 100+ dollar filet mignon and they crack jokes and reminisce seated around the table#about how much their lives have changed since they met each other while âmunching on the fanciest baguettes in townâ#(HOLE VOICE) THIS GAME WAS MADE FOR MEEEEEEEEEEEEEEE I STILL CAN'T BELIEVE IT#every day i say thank you chihiro aoki and 83key THANK YOU CHIHIRO AOKI AND 83KEY#you know how when you order at a restaurant you only buy 1 serving#yet despite splitting the dish everyone's stats go up the full amount?#my 100% true explanation: meals shared among friends just taste that much better :''^))
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